Negative Zone (Negative Zone, 2005)

The sole album by this short lived French band is among the best examples of derivative still beautiful music around. Sure, they are in love with Pink Floyd and they re-create all the Cambridge band well known moods, but how convincing and even refreshing are those 

Musea released this album in 2005.

The title track is the lomgest and most diversified one, lining up power keys, Gilmour-like guitars, atmosferic moments and psychedelic loops. And, last but not least, some good melodies. Really, it's a colourful emotional trip I strongly recommend to you all.

Another Life Not Lived (Galahad, 2022)

2022 Galahad's album "The Last Great Adventurer" was a very, very good one. And of course there were some upbeat and intricate tracks I enjoyed and still enjoy today. But even in prog rock there are momens, lyrics and songs going beyond music itself and giving you a kick inside. Take this one. A suspended, beautiful ballad the band dedicated to their late bassist Neil Pepper (who died in 2011) and dealing with pain, injustice and memory. 

I loved everything in this album, including its perfect cover art.

What makes a tribute song a great track is its capacity to get the core of a tragic loss turning a private sorrow into a universal experience. In order to do such a thing you need many things as a good theme, a suited arrangement, a delicate approach and, of course, a heartfelt vocal performance. Now Galahad put into "Another Life Not Lived" all the above and much more and they went directly into my deepest soul. This really is a great sdventure for all listeners, believe me.

Al filo del abismo (Praxis, 1987)

This Mexican band released their only album in 1987. Originally called "La eternidad de lo efímero", this instrumental work was re-issued on CD seven years later by Italian label Mellow Records with a different title, simply "Praxis". Useful to know, one of the members of Praxis comes fron the Mexican well known act Iconoclasta (also present in this blog). "Al filo del abismo" is the opening track, a very lively and intriguing example of symphonic prog, even with a 80s instrumentation. 

I must admit the cover art is as intricated as most of the music inside.

At first sight, the listener is overwhelmed by the instrumental skills of the band and especially by the keyboard / guitar plots, so swift and dazzling. A further  examination will reveal the brilliant work of the rythm section and the clever exploitation of the main theme. If it is true that a different keyboard set would have improved the general effect of this song (and album), but it is also true that each era has its own sounds and some would consider that as a further reason to rediscover this forgotten work.

Vesper's End (The Id, 2017)

 The Id are a truly International band, with members coming from different countries and that apparently never met in the flesh. Nevertheless, they released six albums between 2015 and 2019. They play a melody-oriented neo-prog music and if they're in this blog is because I think they know how to do it. Even if their arrangements aren't stunning new and the production is just the best a self produced band can get, they write beautiful melodies and always put emotions first and that's exactly what I like. 

There's alway a disquieting eye on The Id's cover arts.

This 20 minutes suite taken from their 2017 album "Confluence 1", is one of their best tracks, IMHO. You'll find here instrumental skills, beautiful tempo changes, catching riffs, enlightening atmospheres and, of course, well found musical themes.  The solos are perfectly performed, but they're never showy and always functional to the big picture. Another good reason to love The Id.

Esotanc (Yesterdays, 2022)

Yesterdays are a very good prog band from Hungarian speaking minority of West Romania. This song Esotanc (meaning "This Dance") comes from their fourth album titled "Saint-Exupéry álma" and released in 2022. As most of their music, this is a clever mix of different styles, including a Yes-inspired symphonic rock, jazz-rock and folk elements. Multi-instrumentalist Bogáti-Bokor Ákos is the life and soul of Yesterdays, but all the members add their own skills and the final product is a multicoloured, unpredictable 20 minute pure prog song, including both acoustic and electric passages. 

Bogáti-Bokor Ákos is also responsible for this cover art.

Guitar solos and piano  passages, a vast choice of keyboards and Stéphanie Semeniuc's  vibrant vocals, Kecskeméti Gábor's flute and some well found electronic effects are just a few of the reasons to listen to this track (and to the rest of the album, as to that). Yesterdays really provide a rare blend of classic prog and new, original sound. Something prog rock always needs so much.

Cascate di cristallo (Celeste, 2023)

The few readers I have in this blog, already know Celeste and their master mind Ciro Perrino. If not, feel free to browse my previous reviews. The band's return in the late 2010s confrmed their skills in weaving and perfecting the sweetest and most refined melodies. This song comes from their 2023 release introducing a new and welcome feature: an entire orchestra formed by more than a dozen members and including winds, woods, strings and, of course, a piano. 

The CD cover painting is by Mara Catelani. It is perfect for what'is inside...

...and this is the LP painting by Ciro Carlo Antonio Perrino. Another beauty!

"Cascate di cristallo" (meaning "Crystal Falls") is simply perfect to me. Not only it enhances the suitably called Celestial Symphony Orchestra potential, but it includes some of the best and most inspired compositions by Ciro Perrino. The exquisite intertwinings, the elegant themes and the manifold arrangements are a treat for any musical sweet tooth. This instrumental track is not the only pearl in such a beautiful album, but it surely catched my attention on first hearing and proved itself more and more profound during the subsequent listenings. Don't miss this one, my prog friends!

Funeral (Mice on Stilts, 2016)

 Let's explore something from the dark, even mourning side of prog. "Hope for A Mourning" was the second album by Mice on Stilts, the brainchild of singer, writer and guitarist Ben Morley and one of the most interesting acts from New Zealand in recent years. Sure, the sombre atmosphere of "Funeral" reminds me of some Scandinavian bands from the '90s, but there is a special, thougtful way here, both melancholy and dreamy. 

What a beautiful and inspiring cover art!

Despite the mournful titles of both the song and the album, there is less proper grief than spiritual abandon in this music, like in a  misty dawn over still waters. It's an intimate journey, a dreamlike meditation and still we're far from the minimal approach of ambient music. The melody line and the arrangements are rich and set on a slow paced crescendo that drags the listener's soul through dramatic landscapes and a growing sense of wonder. A beautiful, enriching experience.