The Light of Ancient Mistakes (Hats off Gentlemen It's Adequate, 2023)

Sure, Hats off Gentlemen It's Adequate is a rather long name for a band, but I think they're worth our memory effort. Malcolm Galloway and Mark Gatland's brain child is an eclectic and intriguing musical creature, like this title song taken from their 2023 album will show to the few that never listened to HOGIA's music. Galloway, Gatland and their guest musicians provide a varied prog rock with a strong electronic taste, well balanced between the classic era masters and the contemporary trends. 

Galloway himself created this AI assisted evocative image.

This track - like many other ones in the band's catalogue - pays its tribute to beloved science fiction books (in this case, Ian M. Banks's Look to Windward novel) and also - musically - to space rock and to the atmospheric side of Pink Floyd or Porcupine Tree. That said, this London based musicians have their own signature sound, sharp and arcane. Yes, it is adeguate and pretty more than so.

Hear My Voice Tonight (Seven Steps to The Green Door, 2019)

Seven Steps to The Green Door are an interesting band from Germany active since 2006 and producing an innovative musical mix ranging from neo-prog to hard rock and from melodic ballads to intricate long tracks. This song comes from their 2019 album titled "The ? Lie", a concept work dealing with religious fanaticism and its tragic outcomes. "Hear My Voice Tonight" is a ten minutes track with strong melodic roots and including unpredictable, strategically placed mood changes. 

There's more to this concept: "The ? Book" (2011) and "The ? Truth" (2024)

Jazzy passages, dreamy landscapes, intense progressions grace this track and made it a treat for the prog ears. I especially like the wind instruments that enrich this track providing a warm and rippled finale. The instrumental skills of the band members and their guest musicians are the final touch to this beautiful piece of music.

Wicked Flame (Believe, 2024)

During the years, the Polish neo-prog band Collage (see elsewhere in this blog) produced a large family of side projects, including this Believe, the brain child of bassist Mirek Gil. The melodic style of his former band is preserved in the atmospheric passages of this track taken from the album "The Wyrding Way", but you'll also find in it harder edges and even a vaguely folk side. There are some many things I like in "Wicked Flame" and maybe Satomi's way to merge his violin into the band's sound hit me first. 

This is the seventh studio album by Believe.

It's somewhere between a classical orchestra instrument and a bohemian fiddle. And what about Jinian Wilde's voice? Both sweet and harsh and always hearty, a good new addiction to the band. Of course all the players are top notch and they know how to change the song's mood with simple and effective switches. Last but not least, the musical themes are very, very good and even catchy, a perfect base for variations, weavings and solos. Believe me: more than 11 minutes of pleasure.

El Cortejo de un Día Amarillo (Bubu, 1978)

 Bubu were (and still are, a a completely different line-up) one of the most intriguing bands coming from the vibrant Argentinian prog scene. Their music is always surprising, unpredictable and intricated. This two parts suite comes from their 1978 album titled "Anabelas" and fills the entire A-side of the original LP. Its nearly 20 minutes are divided in two sections: i) Danza de las Atlántides and ii) Locomotora Blues. It really is a tricky experience even for the prog-oriented ears, including dissonant passages and a great deal of instruments: there are 8 official members in the band, a guest pianist and a five members choir. 

"Anabelas" is the only album of Bubu's original line-up.

Rather incredibly, each and every musician has its own space in the track's plot, where guitars, violin, flute, sax, drums & assorted percussions, piano, bass and the choir follow each other, perform beautiful solos and perfecly melt into this fluid, rather jazzy and avantgarde piece of music. Beyond the anarchist façade of "El Cortejo" lies a strong, keenly built structure following the best eclectic prog tradition. So don't be afraid and dive into this suite: you'll surely find something you like!

Wake up The Child (Red Sand, 2024)

By browsing this site's past reviews you'll find several tracks by Red Sand, an excellent neo-prog band from Québec, Canada. Their 2024 album titled "Pain't Box" is another beautiful collection of melodic, hypnotic songs. This "Wake up The Child", for example, offers everything a prog fan could dream of: a well written theme, inspiring variations, sensitive vocals (Michel Renaud recemtly joined the band and is a valuable addition)  and of course Simon Caron's dreamy guitar solos. 

Red Sand surely know how to paint musical landscapes...

Perry Angelillo's impeccable drums and Simon's keyboard atmospheric work wrap up this song with good taste and heartwarming colours. This warm, soft and hearty feeling is the trademark of a band I will ever recommend to my prog fellows.

Qui d'autre que l'autre (Lazuli, 2023)

 Lazuli, a French prog rock band whose first album was released back in 1999, wrote and performed excellent music, including many complex and unpredictable songs (even if they don't like long tracks), but - will they excuse me? - I'm definitely in love with this song: an intense, fascinating ballad. It comes from their 2023 album simply titled "11". 

This is the 10th studio album, but there was also an acoustic

collection of previous released songs, so they're right: that's 11!

The crescendo plot starts with a deep, even sensual tone and grows up and up until a rather floydian guitar solo that's simply perfect. The musical theme is beautiful, sharp and catchy (no, this is not a deadly sin) and Dominique Leonetti's vocal rendition comes like a kick inside the guts of the listener. As usual with them, this is more an inner trip than a song and I like to explore my own soul following such a brilliant guiding star.

Wychmore Hill Suite (Anthony Phillips, 2024)

We all know Ant Phillips lives in a musical world of his own, a very charming one. This track comes from his 2024 "The Golden Hour" album, twelfth installment of the "Private Parts and Pieces" series, an archival project begun in 1978. This 19 minutes suite for classical and 12 string guitars was recorded around 1989 and IMHO is the brightest gem of "The Golden Hour": varied, well balanced, full of beautiful themes and built up on a coherent, dynamic pattern. One wonders why such a beauty had to wait a release for more than 35 years. 

Ant Phillips took himself this beautiful cover photo.

Its four movements ( I. Country Mile - II. Ring of Steel - III. Peaceful Land - IV. Jack The Lad ) each feature two or three recurring themes and alternate fast and calm moments, so they're never boring and conjure up folk, gypsy, pastoral and classical roots, sounding fully English the way only Phillips can do. A parting note about the title: a Wychmore Hill doesn't exist, Ant was inspired by Northern London's Winchmore Hill: he switched to a sharper and almost medieval sound.