Kontraster (Jordsjø, 2025)

Here you are another Norwegian brilliant band, progging away between pure symphonic rock, folk hints and some experimental, even dissonant moments. Jordsjø released their first album in 2015 and this track comes from a 2025 split record including this Jordsjø's title track on vinyl version side A and another side-long track by Breidablik, an electronic prog project by Morten Birkeland Nielsen on side B. "Kontraster" ("Contrasts", in English) does as its title says and offers an awesome variety of moods, arrangements, instruments and musical ideas. 

This is the second joint venture of Jordsjø and Breidablik.

It is a rather low tempo collection - maybe a suite - of inner reflections and by such a rich palette you could hardly guess that  Jordsjø is formed by just two musicians: multi-instrumentalist Håkon Oftung and percussionist Kristian Frøland. Be as it may, this duo leads the listener through a fantastic and unpredictable trip, flowing very deep inside their souls (our souls, I daresay). It is an enriching and entertaining listening, something you won't easily find nowadays.

Omni Part 2 (Karfagen, 2025)

 Antony Kalugin, the ukrainian multi-instrumentalist behind Karfagen, is a man of many talents and his 2025 album "Omni" is another good example of his stunningly prolific vein (you'll find more elsewhere in this blog)."Omni" Part 2 is a well built suite, a 22 minute one divided into 4 movements, also enjoyable as stand-alone songs, many of them in a rather slow tempo, but with some welcome accelerations and many, unpredictable changes. 

As usual, an inspiring cover art

As always, there are very good melodies and beautiful solos, and this time the vocals, provided by the kinds of Marco Glühmann, Richard Sinclair, Jean Pageau, Bartosz Kossowicz plus, of course, Olha Rostovska and Antony Kalugin himself,  play an essential role in the great picture, something we don't easily find in Karfagen's discography. All those different and sensitive voices fit perfectly in such a rich musical texture. Among other guest musicians, Michel St-Père's (of Mystery fame) guitars and John Hackett's flute need no introductions and are two more bonuses added to this musical pearl. This is Neo-Progressive rock & Symphonic Rock at their best and I'm glad to loose my mind in this flowing, lush musical river.

Moon And Cloud Dancing (Celeste, 2025)

If you read even occasionally this blog, you should know how much I appreciate Celeste and their mastermind Ciro Perrino, a gifted composer and musician that never stops his artistic evolution. When it comes to Celeste, once a quintessential Italian prog band, since the late 2010s he's trying to expand the musical boundaries of such a glorious act. Their 2025 album, titled "Anima Animus" continues this effort and offers a varied palette of sound solutions that range from jazz to melodic without even neglecting ethnic suggestions. That said, Maestro Perrino will maybe forgive me if I choose the most Celestial (in all senses) of the album's songs, the closing Moon And Cloud Dancing, a delicate but never boring 12 minute instrumental (with some vocalizations) track. 

This is the sixth Celeste album overall.

First things first, I love the main theme here, a melody that is only apparently simple, which enters the heart and brain of the listener. Then please listen to the perfect fusion of the instruments: mellotron, of course, and then winds, piano, acoustic guitars... everything is designed to immerse us in slow and unstoppable natural movements. Even if this is probably the most symphonic rock song from "Anima Animus", you'll find in it several hints to Perrino's previous experiences, and that's why this track always grows in me and never cease to surprise me.

Never Land (IQ, 2025)

IQ's 2025 album titled "Dominion" is a very good specimen of (neo) prog rock, as usual. Even if it includes a long epic track - at once among the favourites of many hard core fans - I'll single out this slow, atmospheric and rather simple song. "Never Land" is not unusual for the band, based on a moving, delicate theme and a two part crescendo . 

A beautiful cover art, isn't it?

Needless to say, Peter Nicholls unmistakable voice takes the lion's share, while the band provides a lushing sound carpet during the track's first half and explodes in an absolutely prog wall sound from then on. Yes, sometimes the heart rules the mind and I was completely won by such an emotional whirlwind, even more meaningful coming from a more than forty years old act. Under its apparent simplicity, this song can't hide a meticulous work, a work that magnifies the underlying strong feelings and never shows up.

20.000 leghe sotto i mari (Nuova Era, 2025)

Nuova Era are among my favourite bands when it comes to vintage sounds and classic Italian prog. Walter Pini and his friends are veteran proggers and this 2025 album, retelling Jule Verne's masterpiece novel Twenty Thousand Leagues Under The Seas, is their sixth official release, but their sound is as refreshing and creative as it used to be during the '80s. First things first: the tempo, mood and instrumentation changes are stunning. 

Nemo and friends under the prog seas!

Stately organs, dainty acoustic passages, strong vocals, breathtaking progressions, intricate rythms and of course beautiful melodies... al things Italian Prog are there! Being a 36 minutes suite, divided into 8 parts, "20.000 leghe sotto i mari" is a true musical ordeal, treating the listener with both compositional and performing skills. Each variation introduces a different world and even the marine sound effects perfectly fit into the great picture. All in all, this is IMHO one of the best pages of Nuova Era's flushing repertoire.