Summer Lies Beyond (Comedy of Errors, 2023)

This is the long track (15 '27") opening the 2023 album "Threnody for A Dead Queen" by Comedy of Errors, a very good (IMHO) band from Glasgow, Scotland, you'll also find elsewhere in this blog. It's a well written, performed and arranged song, with a constant tension all along its phases and such a beautiful, elegant atmosphere. 

This "Threnody" was the sixth studio album by COE.

The electronic elements are never rigid and perfectly melt into the melodic texture of the track, guiding the listener through a fascinating musical tour. I also like the vocal harmonies, the keyboard sounds, the rhythmic section's work and, of course the guitar parts. The final crescendo adds a grandiose side to the big picture, so that any prog heart will be fulfilled. Take this trip and be happy!

The River I & II (This Winter Machine, 2023)

English vocalist and song-writer Al Winter started this West Yorkshire-based quintet in 2016 and even if you could label it as a neo progressive act, I'm happy to say that those musicians had their own signature sound since their debut album. A mildly distorted electric guitar marks their rock moments, full of energy and beautiful changes, but I admit that their atmospheric songs and passages are my favourites by far. 

This is the band's fourth studio album.

This 11 minutes song is the opening mini-suite of their 2023 album, titled "The Clockwork Man", a concept around a future society where human clones are enslaved to perform hard and dangerous jobs. "The River" includes both sides of their production: after an electronic crescendo, the first part is a tough mid-tempo  prog rock, while part II is an awful, poignant piano driven ballad, something really, really well written and well sung with a perfect guitar solo. This Winter Machine seem to like a  thorough but also essential prog rock and they skip any useless ornament. That's not so common, after all, and certainly is a refreshing approach.

Qui d'autre que l'autre (Lazuli, 2023)

 Lazuli, a French prog rock band whose first album was released back in 1999, wrote and performed excellent music, including many complex and unpredictable songs (even if they don't like long tracks), but - will they excuse me? - I'm definitely in love with this song: an intense, fascinating ballad. It comes from their 2023 album simply titled "11". 

This is the 10th studio album, but there was also an acoustic

collection of previous released songs, so they're right: that's 11!

The crescendo plot starts with a deep, even sensual tone and grows up and up until a rather floydian guitar solo that's simply perfect. The musical theme is beautiful, sharp and catchy (no, this is not a deadly sin) and Dominique Leonetti's vocal rendition comes like a kick inside the guts of the listener. As usual with them, this is more an inner trip than a song and I like to explore my own soul following such a brilliant guiding star.

North Star (Pendragon, 2023)

Pendragon's EPs are always worth a keen listening and this "North Star" is no exception. I'll focus my attention on the title track, a suite divided into three movements (I. A Boy And His Dog, II. As Dead As A Dodo and III. Phoenician Skies), whose atmospheric, pastoral and folk-oriented sounds are a coherent follow-up to the band's 2021 full length album "Love Over Fear". Past the late 2000s and  early 2010s rougher era, Pendragon are back to their signature gorgeous melodic prog. 

...And what a beautiful cover art by Liz Saddington!

I like that, and I like this suite, where dreamy themes, instrumental sketches ans a perfect blend of electric and acoustic instruments (including a guest violin provided byJohanna Stroud) build up 18 minutes of bucolic and varied music. Nick Barrett is obviously in the foreground not only with the beautiful electric guitar final solo, but also with a wide choice of acoustic guitars and his well known, distinctive voice. The whole track is permeated by the almost spiritual colour palette of the Cornish country, something... out of this world!

Sign of The Times (Pallas, 2023)

Pallas are like good wine: they improve with each passing year. Their December 2023 album titled "The Messenger" is a very fine piece of prog, full of energy, creativity and, last but not least, beautiful musical themes. "Sign of The Times" is the opening track and it includes all the essential features of the album: majestic riffs, tight progressions, unpredictable changes, atmospheric passages, impeccable performances, an underlying strain and a challenging plot. 

Such a beautiful cover art!

The harsh lyrics are well written and perfectly sung by Alan Reed, a singer I adore. How can I describe his voice? Last time I tried to he desagreed, but he seems to me he's like a modern Janus with two faces: an angel and a devil. And I like both. The rest of the band, of course, is also awesome and our friends from Aberdeen are a perfect clockwork, a treat for the pickiest ears. Just listen to this song and you'll be aboard the most exciting roller coaster... don't stop the ride!

Rytter av dommedag (Lars Fredrik Frøislie, 2023)

 As many of you surely know, Lars Fredrik Frøislie is the keyboard man from Norwegian band Wobbler (see elsewhere in this blog) and a proud exponent of symphonic prog revival. This 16 minutes song comes from his 2023 album titled "Fire Fortellinger", meaning "Four Tales" and aptly consisting of four tracks. I chose this Rytter av dommedag (meaning "The Rider of Judgement Day") as a good specimen of Frøislie's vintage but never derivative music. 

Four tales, four images... it all falls into place!

It is, of course, an outstanding display of keyboard-based music with a helping hand from Nikolai Hængsle's bass guitar, while Frøislie also plays drums. It sure is in the wake of classical masterpieces from the '70s, but it has its own atmosphere, well balanced between classical music, folk hints, mildly jazz passages and rock flares. As everything goes through relentless changes, you can't possibly get tired by this musical whirlwind and by the beautiful themes Mr. Frøislie creates. Fairy, suspended passages introduce unexpected storms, devilish solos open on beautiful, peaceful melodies. In one word, this is prog!

Listen through The Noise (Rainburn, 2023)

Rainburn are a gifted Indian band, responsible for a modern, diversified and enjoyable eclectic prog. This track, coming from their 2023 album titled "Vignettes", featuring a new line-up, has a highly dynamic structure and a welcome King Crimson reference many of you will recognize. The rythmic weaving is thick, exciting and full of surprises, The tempo changes are perfect and all the instruments are smart and stingy. 

Fun and colourful. "Vignettes" cover art is perfect for the music inside.

I also like Vats Iyengar's vocal performace, suitably backed by the other band members. The general feeling is that of a refreshing, modern and open minded approach to prog rock. Rainburn are a worthy band to explore, as their music follows many different paths. Like ol' good prog should always do.

Cascate di cristallo (Celeste, 2023)

The few readers I have in this blog, already know Celeste and their master mind Ciro Perrino. If not, feel free to browse my previous reviews. The band's return in the late 2010s confrmed their skills in weaving and perfecting the sweetest and most refined melodies. This song comes from their 2023 release introducing a new and welcome feature: an entire orchestra formed by more than a dozen members and including winds, woods, strings and, of course, a piano. 

The CD cover painting is by Mara Catelani. It is perfect for what'is inside...

...and this is the LP painting by Ciro Carlo Antonio Perrino. Another beauty!

"Cascate di cristallo" (meaning "Crystal Falls") is simply perfect to me. Not only it enhances the suitably called Celestial Symphony Orchestra potential, but it includes some of the best and most inspired compositions by Ciro Perrino. The exquisite intertwinings, the elegant themes and the manifold arrangements are a treat for any musical sweet tooth. This instrumental track is not the only pearl in such a beautiful album, but it surely catched my attention on first hearing and proved itself more and more profound during the subsequent listenings. Don't miss this one, my prog friends!

Bet On Zero (The Aaron Clift Experiment, 2023)

Here's an unusual way to conceive rock, an open-minded, border-free, well thought out way. In a word, the most prog approach to music. The Austin-based Aaron Clift Experiment (you'll find more reviews about them in my blog) are an eclectic and creative ensemble formed by Mr. Clift himself, always attracted to experimentation, but never hermetic or puzzling. They like good music and they like to communicate their emotions via their songs, something I highly appreciate. Last but not least, they're very skilled performers, which one shouldn't take for granted.

Fumihito Sugawara is responsible for this beauticul cover art.

This track is taken by their (forthcoming, when I write this review) 2023 "The Age of Misinformation" album and features the Big Wy's Brass Band, a wonderful addition to the band's line up. It's a jazzy, even soul prog rock, displaying a well written main theme and a beautiful instrumental bridge, including a sax solo followed by an enthralling jazz rock instrumental section, and ending with an excellent drum tour de force. The swinging finale is another highlight of "Bet on Zero" and I bet you'll like the whole song (and the whole album, as a matter of fact).